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Sleepers Awake, first published in , is one of Kenneth Patchen's major prose books. A work of extraordinary imaginative invention, it might be described as "novelistic fantasy"--a pioneering new direction in fiction which created its own protean form as it was written. Patchen mingled narrative with dream visions, surrealism with satire, poetry with statements of principle, and. Sleepers Awake (A New Directions Paperbook)|Kenneth Patchen, The Strange Tale of Jesse Jones and the Violin|Jesse Jones, Nanomedicine Device Diagnostic Report|David Schwartz, Diverse Contemporary Issues Facing Business Management Education|Salvador Treviño-Martínez. Kenneth Patchen (Decem - January 8, ) was an American poet and www.doorway.ru experimented with different forms of writing and incorporated painting, drawing, and jazz music into his works, which have been compared with those of William Blake and Walt Whitman. Patchen's biographer wrote that he "developed in his fabulous fables, love poems, and picture poems a deep yet modern.
Fiction by Kenneth Patchen. Sleepers Awake, first published in , is one of Kenneth Patchen’s major prose books. A work of extraordinary imaginative invention, it might be described as “novelistic fantasy”––a pioneering new direction in fiction which created its own protean form as it was written. Patchen mingled narrative with dream visions, surrealism with satire, poetry with statements of principle, and explored the then almost uncharted territory of visual word structures. 0Reviews. Sleepers Awake, first published in , is one of Kenneth Patchen's major prose books. A work of extraordinary imaginative invention, it might be described as novelistic fantasy" - a. The book displays an untethered drive toward beauty better on display in Patchen’s previous “transliterary” novel Sleepers Awake, a later work much more indifferent to characters, occurrences, and plot. In Moonlight Patchen includes standard storytelling methods just often enough to show that he can, and to dismiss them (“The thread-bare and ridiculous plots aren’t enough”) as part of his sumptuous joust in the direction of all literary history.
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